Here my bio in few lines, as I was asked before :
“Born 1978…, 1999 leaves for…, awarded scholarship for…, works with… 2000 praised for… 2001 takes part in…, shortlisted in… 2002 praised for…, bought for…, strings pulled for by… in…, video-projected in…, 2003 considered a French artist by… for…, announced as a ‘one-woman-show’ for…, video-installed in…, collaborates with…, 2004 collaborates with…, takes part in…, considered ‘an artist that works on’… for… by…, makes a reading as part of the… 2005 carte blanche in the…, ‘recommended’ as artist ‘worthy of the highest interest’ by…, candidature => held back for…, proposal of… rejected by…, considered ‘not politically correct’ by…, takes part in the exhibition…, presents herself as ‘conformist’ and does not perform in the festival x where is presented as ‘France’, awarded scholarship by… for… 2006 takes part as ‘young Galician artist’ in…, rejected in the Salón del Jardín and outside for… stripteases in…, in… and in… 2007 swats a fly in…, becomes a video-projection in…, In-presents herself…, protocols herself… 2008 departs En el camino…, her word(s) count or not in…, talks in a loop for exactly three months and seven days in the…, mediumizes herself and ‘shows a pessimistic outlook of life’ during…, showsifies herself in … and announces that the next time she will do a comedy…, is considered as a ‘creation of gender in Galicia’ in…, loses her mouth in…, 2009 is announced as an ‘atypical artist […] promises appetizing surprises’ during…, documents and registers herself in first person in…, finally gains first prize with (?)… dreams (and) does a ‘— … nice performance for a Sunday’ in the… and an ‘—…optimistic!’ conference with… as a lone man or… a solitary man in, in… gains first prize with… does not do a comedy… but instead quelque chose de spectaculaire with… at… la ferme (?)…, amongst other things.”

“Loreto Martínez Troncoso was born in, lives and works in. Her work consists essentially of who questions the between and. In recent years, has pursued an enquiry into, a mental space where the and the evoke the construction of. Imagines and puts in place not to adapt herself to. Has recently introduced principles in her works which, via a montage between and, or the introduction of a voice of, produce new sets in distance and effects of. Has worked with and exhibited in, at, in and in the and her latest projects have taken place in, at, on, and inat and inatonatin. With the aim of developing new, broadens her searches through the particularly and avails herself of the stop, thus committing the with, etc.”

Loreto Martínez Troncoso was born in Vigo in 1978. She currently lives and works in Porto and Paris. She studied at the Faculty of Fine Arts of the University of Vigo, the Fine Arts School of Bordeaux and the École Nationale des Beaux-Arts of Lyon, where she completed her studies. In the years following this, she extensively explored the form of spoken words performances and was awarded several residencies in cities such as Budapest, Hendaye, San Sebastián, Porto, Nantes and Ouessant. She has also given workshops, published texts, and worked in many collaborative projects. She is an active member of the artistic project Mugatxoan (

Une Macchina di Santa Rosa for Brussels Midi and Anderlect (with Jochen Dehn)

Why does a moving never ends in a big party, since we left one life to (re) start another? And how to have a party without leaving traces? How to set up a place without adding or removing, cleaning? Why not get together and do a demonstration for nothing. Or … for poetry…  or for love … or lack of love, since we get there. (How) Create a mass hysteria? How to trigger an epidemic of fake laugh? Or … what would happen or what music would appear if everybody would open their window, slamming their pans.

At Viterbo, a small town near Rome, September 3 of each year is devoted to the wandering of a tower, carried by 120 people, transported from a city gate to another through the downtown. During the week of Sept. 26, we propose to develop tools to understand the place we live, since we, and potential partners, are here. It will be collective, how to create, to live together. Parties, hurry up’s, caceroladas. How to sabotage the waves of life … a sabotage that interrupts that rhythm. About the potential of such a stop, such a traffic jam. And, once there, turn it into a party, in a situation. With people, maybe.